Since Herta Müller won the Nobel Prize in 2009, there have been a whole host of re-issues, new publications and translations of her writing. It’s fascinating to see how the books are now being marketed (aside from the ubiquitous stickers saying ‘Nobel Prize winner’, of course), and what their cover images say about the writing inside.
Hanser’s handsome hardback versions have minimal images and muted colour schemes. I particularly like the architectural street view and blue wash on their version of Müller’s 1989 Berlin novel, Reisende auf einem Bein: the focus is on the plane in the sky, with its intimations of departures and arrivals. In the novel, the sky above the city – a frequent theme in texts set in Berlin – is both a reminder of division and suggests the potential to cross boundaries. Continue reading